Harm Mouw:

Februari 7 – March 27, 2026 in Café Bern

 

From February 7 to March 27, 2026 Harm Mouw (1958) exhibits ceramics and paintings in Café Bern. Harm is a neighbor, because he has his studio across the Nieuwmarkt, in Koestraat.

Feel free to drop by. Between 4 and 6 p.m. in the afternoon you can come and see the exhibition ar your ease. Or in the evening after 11 p.m., when the biggest crowds are over and a wonderfully relaxed “after hours” atmosphere has descended over Café Bern.

Below you can see some images directly from Harm’s studio and you can already get an impression of some of the exhibited works.

In the studio

Harm Mouw’s studio

Various ceramics exhibited at Café Bern
from February 7 to March 27, 2026

Impression of the exhibition

 

Harm Mouw

Exhibited at Café Bern
from February 7 to March 27, 2026

Vase

Harm Mouw
2026

Exhibited at Café Bern
from February 7 to March 27, 2026

Still life with teapot

Harm Mouw
2026

Oil on canvas

Exhibited at Café Bern
from February 7 to March 27, 2026

Pigdon

Harm Mouw
2026


Crayon, pencil and tempera
on paper

Exhibited at Café Bern
from February 7 to March 27, 2026

Untitled

Harm Mouw
2026

Crayon, pencil and tempera on paper

 

Exhibited at Café Bern
from February 7 to March 27, 2026

Various ceramics

Harm Mouw
2026

Clay

Exhibited at Café Bern
from February 7 to March 27, 2026

Sketch for ceramics

Harm Mouw
2026

 

Exhibited at Café Bern
from February 7 to March 27, 2026

Self-portrait

Harm Mouw
2026

Clay
42 x 24 cm

Exhibited at Café Bern
from February 7 to March 27, 2026

Harm Mouw

Rotterdam Hillegersberg, 1958

Harm Mouw studied graphics, typography, scenography and painting at the Gerrit Rietveld Academy. His teachers included Rik van Bentum, Gerard Unger, William Lindhout, Wijnand Wansink and Herman Gordijn. Subsequently he could work in residency at the Koninklijke Rijksakademie in Amsterdam, tutored by Paul Hugo ten Hoopen, Paul Husner and Jacob Kuijper. In 1986 he was awarded the Willem Uriot Prize.

In 2016 Sipke Huismans, former professor at the Rijksakademie voor Beeldende Kunst, wrote about his work: “Harm Mouw introduces us to his astonishment and respect for the seemingly ordinary.

His glance at the world is like that of an uncaptured, inquisitive child and with each work he makes, he discovers new opportunities to shape that focused attention, which is essentially love. He masters the craft but what comes out of his hands is never based on skill alone.

His work is immediately accessible and secretive at the same time, easy to read and an enigma. This means that you can always keep looking at it and see it again and again, that it will never be boring, no matter how unadorned and modest it is.”

Voor meer info: www.harmmouw.nl/